![]() The Mountain Eagle (1926) Set in Kentucky.About two chorus girls whose husbands leave for the colonies and how all of them react to being away from each other. The Pleasure Garden (1925) His feature debut.Other important books on Hitchcock's films, life and production habits include Stephen Rebello's book on the production of Psycho, Dan Aulier's account of the making of Vertigo, and Tony Lee Moral's book on the making of Marnie. Important books on Hitchcock's life and working methods include: Hitchcock/Truffaut, the founding work and still the definitive oral history Bill Krohn's Hitchcock at Work, the best single-volume text on Hitchcock's filmmaking process, based on extensive and thorough archival research and Patrick McGilligan's Alfred Hitchcock: A Life in Darkness and Light, by general academic consensus the best and most reliable biography on Hitchcock himself. On the other hand, he still engaged in stereotyping and the Male Gaze, plus his treatment of actresses has been questioned, particularly his troubling relationship with Tippi Hedren. On one hand, he frequently hired women for creative roles in the filmmaking process at a time when that wasn't very common, and his films often featured complex female characters. More recently, his complicated record in dealing with women has come under scrutiny. Thalberg Memorial Award in 1968): "Thank you very much, indeed." He is also somewhat well known for making the shortest-ever acceptance speech at the Academy Awards Ceremonies (on receiving the Irving G. Hitchcock was knighted a brief four months prior to his death. While some of Hitchcock's pranks could be considered pretty funny by most standards (such as one where he gifted his crew with expensive furniture at the wrap party, only for said crew members to come home with their presents and discover that said furniture was just a little too bit to big to fit through their front doors Hitchcock had, of course, been visiting their residences in secret and carefully written down measurements of their doors to make sure that this would happen), others definitely crossed the line into Dude, Not Funny! and Prank Gone Too Far territory (during the filming of Frenzy, after discovering that actress Elsie Randolph was deathly afraid of fire, Hitchcock "accidentally" locked her in a telephone box one day on set and started pumping smoke into the box), and revealed Hitchcock to be less of a merry prankster than someone with a latent sadistic streak. Hitchcock was also infamous for being somewhat of a prankster, who would frequently keep his film crews and actors, and even personal friends, on their toes with practical jokes, often very elaborate and well-planned ones. Hitchcock was also known for his frequent use of the ' MacGuffin' (a term he popularized) in his films. Also, the Italian Giallo film movement was essentially derived from the Hitchcockian style. The Stanley Donen-directed Charade, for instance, was referred to by one reviewer as "the best Hitchcock film that Hitchcock never made". The Hitchcock style went on to typify a certain kind of screen thriller, one which was copied by others over time. Rear Window, North by Northwest, Strangers on a Train, and The Birds are also frequently cited as favorites among fans, with Rear Window in particular often used as a plot template in other media. Most people consider either Vertigo or Psycho to be his masterpiece, although Hitchcock himself was partial to Shadow of a Doubt among his own films.
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